(d) The iconography and morphology of the Artefact
95 At this point it is helpful to provide an additional angle from which to view the Artefact:
96 Most of the evidence about iconography and morphology was given by Dr Yates, Dr Young-Sánchez and Mr Condori although Dr Vranich was also cross-examined about it. Dr Yates thought that the Artefact was decorated with incised geometric and faunal designs and was fronted with the projected head of a feline on a square base. I did not apprehend this evidence to be disputed by anyone. Rather, the debate centred around what the designs depicted actually were and the extent to which the designs and the projected feline head on a square base could be said to be within the canon of the Tiwanaku culture.
97 Thus what is required is a comparison between the Artefact on the one hand and, on the other, what is known from the archaeological record of the Tiwanaku about incised designs and feline heads projecting from square bases.
98 Dr Young-Sánchez opened the batting on this topic by pointing out the paucity of the archaeological record and the fact that the Tiwanaku culture had been understudied in relation to other pre-Columbian cultures. She observed that the study of the specialised art history of the Tiwanaku, including their stylistic conventions, had been hampered by the very limited number of trained researchers working in the field as well as the comparatively small body of well-preserved artworks. Whilst it was true that stone, ceramics, metal and bone were preserved in the archaeological record, other less durable materials had not endured at Tiwanaku and the vast majority of excavated artefacts were fragmentary in nature. The preservation of less durable artworks was, on the other hand, greater in extent in the more arid regions of Peru and Chile. It is also useful to recall her evidence that the documentation of the Tiwanaku site is not yet anywhere near complete. She also thought that there was only a tiny body of published art historical literature.
99 To my mind Dr Young-Sánchez's observation does not perhaps go very far on this particular topic. As will be seen, the evidence of Dr Yates attempted to match the iconography of the Artefact to what is presently known about the iconography and morphology of the Tiwanaku culture. The fact that the available range of Tiwanaku objects is limited to what is available in stone, ceramics, metal or bone does not really detract from her point that the incisions on the Artefact and its protruding feline head correspond with what is apparent from the archaeological record which already exists.
100 The fact that less durable objects have not endured into modern times or that many of the durable items are fragmentary in nature does not detract from the point Dr Yates is making. In particular, in the counter-factual world in which what remains at Tiwanaku now includes in an intact state all the objects which are fragmentary and all of the objects made from less durable materials, this would not logically be capable of detracting from Dr Yates's matching of the iconography of the Artefact to those objects which have in fact endured into modern times. For example, if, as Dr Yates thought, the use of a deer motif was distinctive of the Tiwanaku culture because a deer motif could be discerned in the existing archaeological record, this conclusion could not be dented merely because many objects may have been lost which might have proved the popularity amongst the Tiwanaku of, say, an eagle motif. Put another way, future finds will not be capable of extinguishing the fact that what has already been uncovered shows that the Tiwanaku used deer motifs. I do not think therefore that the limited nature of the archaeological record can rationally erode Dr Yates's opinions on the Artefact's iconography.
101 Further, whilst I accept that less durable objects have been retrieved from the sites in Chile and Peru, Dr Young-Sánchez did not point to any of these objects in her explanation of why the Artefact was not an example of the Tiwanaku culture. One reason for this may be the logic of the previous paragraph. At best, they might have shown other features not present on the Artefact but this would not have advanced the debate for the reasons I have given.
102 Having cleared that point away, the parties were in dispute about the correct interpretation of six stylistic elements of the Artefact. These were:
stylised figures which appear on the body of the vessel;
a pattern on the lower portion of the vessel referred to as a meander or Greek key;
a band around the top of the vessel which contains small rectangles;
the feline head which protrudes from the body of the vessel and is mounted on a square base (and the related question of whether the Artefact depicts a kero or an incensario);
the crossed canines of the feline and the number of its front teeth; and
the position of the nostrils on the protruding feline head.
103 The Applicant submitted that Dr Yates's evidence about these matters was unsatisfactory. This was because, despite having dealt with the topic of feline iconography at s1.3.3 of her report and with incised motifs on Tiwanaku stonework at s1.3.4, Dr Yates had failed to bring forth in her evidence any examples of a Tiwanaku object which had three particular features. These were: (i) the rectangles in a non-segmented band; (ii) what was said to be stylised bird motifs; and (iii) the Greek key motif: ACS [56(b)].
104 What precisely these features are may be postponed until I deal with each of those matters in detail. The present point is that it was put to Dr Yates that despite the Artefact having these three features she had not included in her report (and did not provide during the concurrent session) any Tiwanaku object which had any of these three features. The relevant part of the transcript is T115.7-42:
MR LANCASTER: You got that one? So, I think the top right-hand image is our object, a close-up image of the side of the vessel. And what I want to suggest to you - or what I want to ask you is, you said that these - you considered ceramics and other objects or things with Tiwanaku designs on them. There are three aspects of this closeup photograph that I want to suggest to you you have not brought forward any photographic evidence of any Tiwanaku object with a similar design. The first of it is at the top of the image, rectangles in a non-segmented band. The second of them is, in the middle of the picture, the stylised bird head motifs. And the third is, at the bottom of the image, the geometric rectangular form of the recurring key motif. So, can you answer that all at once? I know it has three parts, but I suggest to you ..... those three design features are unprecedented according to your own evidence.
DR YATES: I should say that this isn't my evidence.
MR LANCASTER: No.
DR YATES: But also, I have not been asked by anyone, to mirror what Dr Vranich has been saying, to comment extensively on very particularly this one motif, and thus have not been given the opportunity to look at it. But you're also talking about a very limited number of objects. And if - if - the scale of the amount of review that we would need to do to definitively say that no Tiwanaku object has this motif is so great it's almost indescribable. I've excavated at Tiwanaku on Dr Vranich's project, and in a single hour of a single day in the middle of the monumental core, I would have wheelbarrows full of painted Tiwanaku ceramics. Any piece of any one of those may have exactly the stylistic elements that you're talking about. We're looking at three things, and there's a bazillion things to review.
But ultimately, I mean, you're pointing to the snakes on the Bennett stela. It is very easy to argue, and people do, that this kind of Greek key meander style, it becomes the stylised version of these snakes. It's the extraction out into something more stylised. And you've picked one qiru out of again, literally, I excavated there for two days - so many qirus that we could be looking at. So I would be happy to produce a report of some sort about the - these particular stylistic elements, but I - I don't think looking at these two limited pictures says anything at all about their range of possibility for Tiwanaku objects.
105 An assessment of the correctness of the Applicant's submission requires an appreciation of the way in which the evidence in the case was prepared. In her report in chief Dr Yates said that the presence of the feline head was typical of the Tiwanaku as were the incised motifs on the side of the Artefact. In her report in response, Dr Young-Sánchez expressed the principal view that the Artefact was a fake or pastiche. She did however give evidence about the iconography of the Artefact. In particular, she gave evidence that the incised figures were birds and would usually be used in a secondary way as part of another feature rather than, as they are on the Artefact, as primary motifs. She did not in her report, however, say anything about the rectangles in the band or the Greek key feature. Thus when Dr Yates prepared her report in reply she had no reason to consider the rectangles or the Greek key feature which Dr Young-Sánchez had not raised as an issue. Dr Yates in her report in reply accepted that the combination of the iconographic elements was probably unique but did not in terms respond to Dr Young-Sánchez's point that the use of the bird motifs was uncharacteristic.
106 It was in that procedural context that Dr Yates was then asked the question set out above. The suggestion that 'those three design features are unprecedented according to your own evidence' can only have been a reference to Dr Yates's reply evidence that the combination of the iconography on the Artefact was probably unprecedented. Contrary to the submission made by the Applicant at ACS [56(b)], the answer Dr Yates gave was not inconsistent with the evidence she had given about feline iconography. Indeed, the question she was asked and the answer she gave had nothing to do with the feline head. Of more substance is the Applicant's suggestion that Dr Yates's inability to comment on these incised elements of the Artefact sat uneasily with the fact that she had dealt with the topic of incised motifs in her report in chief at s1.3.4. However, once the procedural history is brought to account, Dr Yates had no reason to do so in her report in chief where she simply said that incised motifs were typical of the Tiwanaku. Further, since Dr Young-Sánchez had not said anything in her evidence about the band containing the rectangles or the Greek key feature, no criticism can be levelled at Dr Yates for failing to have identified prior to the time she was asked the question whether there were Tiwanaku objects which displayed those features.
107 In relation to the bird head motifs, this is potentially not so. Dr Young-Sánchez's evidence, with which Dr Yates had been provided, was that the bird head motif was not used as a primary motif. In that regard, Dr Yates did have the opportunity, if she wished, to locate a Tiwanaku object which did feature a bird head motif as a primary feature. However, this is not the question she was asked. Instead of being asked whether, as the evidence of Dr Young-Sánchez suggested, she was aware of an example where bird head motifs were used as primary features, the question was whether she was aware of the use of stylised bird head motifs; i.e., no reference was made to their use as primary features. As will be seen, Dr Young-Sánchez herself accepted that stylised bird head motifs were used by the Tiwanaku; her point was that they were not used in the way depicted on the Artefact. Thus this aspect of the question misfired.
108 As such, I see nothing in the answer that Dr Yates gave which warrants criticism. In effect, the submission is that she is to be criticised for failing to foresee that she would be cross-examined about two iconographic features of which she had no notice. In relation to the one iconographic matter of which she did have notice, the question incorrectly asserted to her that stylised bird head motifs did not feature in Tiwanaku iconography when the Applicant's own evidence was to the contrary. I therefore reject this criticism of Dr Yates.
109 Turning then to the particular iconography debates: