submissions on the motion
7 In support of its motion, Pacific contended that the Full Court was required to undertake a direct comparison of each of Aristocrat's written specifications with the corresponding Pacific specification. Mr Ireland QC, who appeared with Mr Webb on Pacific's behalf, said that Pacific's written submissions on the appeal had made this point. Moreover, he asserted that the point had been reinforced in oral argument when he had taken the Court to the written specifications relating to Aristocrat's Tequila Sunrise and its alleged counterpart, Pacific's Fortune Turtle (Ts 31-45).
8 Mr Ireland identified a number of passages in the transcript of argument on the appeal that, so he argued, supported the proposition that the Court had been invited to undertake its own examination of the four pairs of written specifications. Early in his submissions on the appeal, Mr Ireland said this (Ts 7):
"I'm coming to identify with a little more precision than the judge did, I hope, the steps by which the LAB specifications came into being, that through a series of documents produced by various witnesses. I was going to just take your Honours to the sequence of documents as they came into existence to note their form and the differences between them and ultimately come to the question of comparison between the LAB specifications asserted to be the copyright works and the appellant's LAB specifications which the case required should be treated as reproductions if not in whole at least in substantial part."
The following exchange occurred later (Ts 45):
"SACKVILLE J: May we take it, Mr Ireland, that what you say about the particular comparison that you have been making, Tequila Sunrise, and so forth, applies to the other three[?]
MR IRELAND: It does, there are differences, but I think the worst case against us is Diamond in the Sky.
SACKVILLE J: You mean the best from Mr Franklin's point of view?
MR IRELAND: Yes. Well, looking at it from either direction. The similarities in [reel] length, for example, are at their zenith in Diamond in the Sky, but we would say that - I wasn't going to take your Honour through every single one. I just wanted to give your Honour the form of the document, the constituents of the document, and the reasons why we say differences of principle should be observed.
SACKVILLE J: Just pardon me a moment. Mr Ireland, I think the position of the court at the moment is that we don't want to be taken through the other three comparisons in detail. If it's necessary for you to address that in reply having regard to what Mr Franklin says of course you may do that but I think the court follows the point that you are making."
9 During the oral submissions of Mr Franklin, who appeared on the appeal and on the motion with Mr Cobden for Aristocrat, the following exchange occurred (Ts 58-59):
"SACKVILLE J: Mr Franklin, might I just ask you this question? The relevant comparison and I think it is common ground is in accordance with the chart that appears in paragraph 5 of the appellant's submissions…. Do you say that there is any difference between any of those four comparisons? In other words, do you say, that you can win on one, two or three of them rather than all four, or is it all or nothing?
MR FRANKLIN: No, some are stronger than others.
SACKVILLE J: Which is your strongest?
MR FRANKLIN: I think, as my learned friend put it, our strongest is probably Top Gear and Diamonds in the Sky and I'm not sure what the weakest is, your Honour, but I think that is probably the strongest.
SACKVILLE J: All right, you continue.
MR FRANKLIN: There are in each case similarities and differences between the two sets of specifications."
Later in Mr Franklin's argument, the following was said (Ts 113-114):
"SACKVILLE J: This goes back to the question of whether there are, in fact, differences between the four sets of comparisons. That's why I remarked that Top Gear and Diamond in the Sky, to me, looked a much stronger case for you than say, Enchanted Forest and Yellow Brick Road, but his Honour never addresses the question as to whether there might be differences in the comparisons.
When you look at Enchanted Forest and Yellow Brick Road you see what may be important differences in relation to the feature, through the reels. There may be important differences in feature frequency and feature frequency in maximum lines. The number of symbols is different. Top Gear and Diamond in the Sky, on the other hand, has a much closer set of features that match.
MR FRANKLIN: I wouldn't necessarily agree with the word much. It's probably closer but there are, even just on a straight tabulation of the features in Enchanted Forest and Yellow Brick road, in this tabulation, there is, we say, a very substantial degree of similarity.
SACKVILLE J: I understand you say that. I am just thinking about the difficulty that arises from the fact that his Honour doesn't separately address each of the alleged matches…when in fact Ms Oldfield's analysis of these demonstrated there are significant differences between the various games."
10 Mr Ireland, in support of the motion, submitted that the transcript of argument on the appeal showed that Mr Franklin, on behalf of Aristocrat, had never attempted to compare the four sets of specifications. According to Mr Ireland, Mr Franklin confined himself to a comparison between the specifications for Aristocrat's Top Gear and Pacific's Diamond in the Sky, a comparison which all parties acknowledged was the least favourable to Pacific. That explains, so Mr Ireland argued, why he had handed up a document in the course of reply on the appeal which compared only Top Gear and Diamond in the Sky. The transcript records Mr Ireland saying this in reply (Ts 145):
"I've got just two other points. One is please look at the differences, and I'm not shy in taking Top Gear and Diamond In The Sky as the example. Could I hand up a document. The first part of the document which I'm handing up says no more than what I've already said and gives your Honours the page references in case they haven't been recorded for the last six points I've made in reply.
Annexed to the document is a table which shows from the [direct] comparison of the documents the differences textually and otherwise."
11 In his submissions on the motion, Mr Ireland said that, on the appeal, he had focussed on the comparisons between Top Gear and Diamond in the Sky because the Court had suggested it and also because Aristocrat had never compared the other three sets of specifications. It was therefore unnecessary for Pacific to reply to anything said by Aristocrat on the appeal in relation to those three sets of specifications: simply nothing had been said about them that required or even justified a reply. It perhaps should be pointed out that Mr Ireland did not make this point in his reply. Any misunderstanding that may have occurred might well have been avoided had Mr Ireland explained his reasoning process.
12 Not surprisingly, Mr Franklin offered a very different perspective as to the issues arising on the appeal. In opposing the motion, he submitted that Pacific had made a forensic decision to attack the reasoning of the primary Judge on a particular basis. The basis was that the only permissible comparison was between the text of each Aristocrat specification and the text of the allegedly corresponding Pacific specification, unaided by evidence of expert witnesses.
13 Mr Franklin pointed out that Mr Ireland had said this in oral argument (Ts 18-19):
"His Honour, it is submitted erroneously acted on the witness' views of what were described as feel and balance and what one of the witnesses for the respondent called, design weaknesses. Properly viewed, what the respondent was offering by way of evidence, which the primary judge accepted, was suggested similarities in the games themselves. This would be akin to assessing a question of copyright infringement with regard to two plays by pointing to comparable emotional weaknesses, demonstrated by the leading characters, or by the length and timing of individual scenes or acts.
In fact, the identification of such matters as feel or balance in the performance of a play, tells virtually nothing about the literal correspondence between the dramatic scripts.
…
A fortiori, in the case of a compilation, it is the literal similarity of words, and particularly the lay out of the document, which provides the answer to the question whether one substantially reproduces the other."
Mr Ireland had later submitted that the question of literal correspondence between each pair of specifications was critical (Ts 36):
"I think at one point of my learned friend's submission, they say this is just a paraphrase. They get over the textual differences that way. In our submission, your Honour[s], paraphrase avoids copyright infringement. That's the whole point. Unless it is of a paraphrase of a tiny insubstantial part…". (Emphasis added.)
In his reply on the appeal, Mr Ireland had reiterated that what the case was "really about" was the failure of the primary Judge to undertake the appropriate comparison, except vicariously through expert witnesses who had asked themselves the wrong legal questions.
14 In opposition to the motion, Mr Franklin said that Aristocrat, on the appeal, had supported the approach of the primary Judge. That approach required Pacific's specifications to be considered in context through the informed eyes of the experts, before determining whether each specification reproduced a substantial part of the corresponding Aristocrat specification. In other words, the question of objective similarity between the works had to be determined not merely by a literal comparison of the two texts, but after consideration of evidence explaining the similarities and differences between the four pairs of specifications. Such an approach was predicated on the assumption that a court is not limited to a literal comparison of the text and layout of the copyright work and the allegedly infringing work.
15 Further, according to Mr Franklin, at no time in the appeal did Pacific suggest that it had not made all the submissions it wished to advance comparing the four pairs of specifications. The Full Court had invited senior counsel for Pacific to revisit the comparisons, if he wished, in reply. He did not avail himself of that opportunity.
16 Mr Franklin also submitted, in opposition to the motion, that far from Aristocrat not addressing the contents of the four pairs of written specifications, it had in fact taken the Full Court in some detail to each of the four pairs of specifications. It had done so by means of a careful examination of the evidence of Ms Oldfield and Mr Olive, which (subject to a minor exception) had been accepted by the primary Judge. In particular, Mr Franklin pointed out that he had taken the Full Court to a tabulation prepared by Ms Oldfield which compared each of the four pairs of specifications and had drawn attention to similarities that were not necessarily apparent from a mere textual or visual inspection of the written specifications themselves.
17 Aristocrat summarised its submissions on the motion as follows:
"Once the Full Court accepted (para [95]) that the primary Judge had asked the correct question and applied the correct principles, it followed, unless Pacific argued for an alternative way for the Full Court to deal with the issue, that infringement would be found in relation to all four Pacific specifications. However, Pacific offered the Full Court no assistance on how, if the Full Court took that view, the Full Court could do anything other than accept the views of Aristocrat's experts that had been accepted by the Primary Judge. That was the outcome of the forensic decision taken to base the appeal on the allegedly erroneous approach in principle taken by the primary Judge."