Second Issue: Licence Fee Damages
17 This part of the case relates to the uploading of the Film by BitTorrent users, rather than the downloading of the Film. In both situations, what is legally involved is DBC's contention that it is entitled to seek damages from BitTorrent infringers under s 115(2) of the Act. It provides:
'115 Actions for infringement
…
(2) Subject to this Act, the relief that a court may grant in an action for an infringement of copyright includes an injunction (subject to such terms, if any, as the court thinks fit) and either damages or an account of profits.'
18 At the hearing which led to the August Judgment, DBC advanced an argument under s 115(2) in these explicit terms:
'The Prospective Applicants contend that the infringer's conduct amounts to a distribution of DBC for which the infringer would ordinarily require a licence from the Prospective Applicants. By reason of the infringer's conduct in making DBC available online for others to download without a licence to do so, the Prospective Applicants have not received a licence fee and royalties which would have been payable had a licence been granted. The Prospective Applicants seek a fair and reasonable one-time licence fee from the infringers.'
19 DBC submitted in writing on the present application that its case under s 115(2) had been potentially broader than this might imply. I do not accept this. It was clear on the previous occasion that the only damages claim pursued by DBC was on a licence fee basis. At [29]-[30] of its submissions on s 115(5)-(8) of the Act, DBC made this submission:
'Economic Loss
29. The Prospective Applicants intend to seek damages from infringers on account of the loss suffered by reason of the illegal uploading of DBC: see Methodology Submissions at [23]-[28].
30. While the Prospective Applicants also consider that they are entitled to damages on account of lost profits, they currently propose to recover damages by way of a licence fee representing fair compensation for the illegal distribution of DBC: see Methodology Submissions at [27]-[28]. The Likely Infringements demonstrate the reasonableness of the licence fee of $[XXX] proposed to be sought from infringers.'
(emphasis added)
20 The italicised portion makes plain what DBC's case was. To the extent, therefore, that DBC now submits that it has an entitlement to revisit the question s 115(2) damages because I had left some elements of its argument unresolved in the August Judgment, I reject the submission.
21 I did not apprehend, in any event, that the above matter was the principal focus of the argument advanced by Mr Jackman SC for DBC. Rather, he sought to bring the position of DBC within the exceptions articulated in Honeysett itself. This naturally required him to identify a material change in circumstances since the August Judgment (or new material not available at that time).
22 The focus of Mr Jackman's argument was on an aspect of my reasoning in the August Judgment. At that time, I rejected DBC's argument that its s 115(2) damages case could be quantified using a notional licence fee on the basis that the licence fee approach gave rise to a factual debate. That factual debate was whether any BitTorrent infringers would have sought to negotiate a worldwide non-exclusive distribution agreement with DBC to authorise their uploading activities or whether infringers would have pursued other courses of action, for example, whether instead they would have rented the Film and paid $4.99 for the pleasure. On this factual question, I concluded that DBC's contention was wholly unrealistic; indeed, I went so far as to describe it as 'surreal'.
23 Mr Jackman now submitted that there had been a development on 2 December 2015 which meant that my conclusion that what was involved was a factual inquiry was wrong, as a matter of law. This development was the decision of Yates J in Winnebago. In a carefully considered judgment, his Honour concluded that in a damages claim for passing off a plaintiff did not need to prove that the infringer would have entered into a licensing arrangement. Damages would instead be assessed on the basis that the infringing party should pay for what it had taken and that the value of something taken without licence should be the licence fee that would have been paid.
24 There is a Full Court authority that this principle does not apply in copyright cases, such as the present: see Aristocrat Technologies Australia Pty Ltd v DAP Services (Kempsey) Pty Ltd (in liq) (2007) 157 FCR 564 at 569 ('Aristocrat'). There Black CJ and Jacobson J said (at [27]-[29]):
'27 However, a royalty does not provide the appropriate measure of damages where the copyright owner would not have granted a licence: Columbia Pictures Industries Inc v Luckins (1996) 34 IPR 504 at 509 (Tamberlin J); Autodesk Australia Pty Ltd v Cheung (1990) 94 ALR 472 at 476-477 (Wilcox J); Microsoft Corporation v Goodview Electronics Pty Ltd (2000) 49 IPR 578 at [55].
28 In the present case, Aristocrat did not seek to establish that it would have granted a licence to Vidtech. The plain inference was that it would not have been prepared to do so. A royalty does not therefore provide an appropriate measure of damages.
29 In any event, Aristocrat did not lead evidence that licences were granted to users at any particular rate of royalty, let alone that which was claimed as a royalty in the present case. In those circumstances, where the quantification of royalties charged by a copyright owner is entirely within its own knowledge, a court should not speculate as to what royalty might have been foregone: Paramount Pictures Corporation v Hasluck (2006) 70 IPR 293; cf Microsoft Corporation v Ezy Loans Pty Ltd (2004) 63 IPR 54 at [88].'
25 Yates J distinguished Aristocrat because it was concerned with copyright rather than passing off, a luxury which is not available to me. Mr Jackman sought to persuade me that Aristocrat was a case on its own facts. It is certainly true that the dispositive reasoning appears to be at [29]. There the Court rejected the copyright holder's claim on this basis because it had not proved what the relevant reasonable licence fee would have been.
26 In any event, I do not accept that the decision of Yates J constitutes a material change in circumstances. Winnebago is a passing off case. It is true that Yates J distinguished Aristocrat but those arguments were just as available to DBC at the previous hearing before the August Judgment. I do not see that anything has materially changed.
27 Then there is the further problem, as Mr Jackman very properly accepted, that DBC currently falls within the very evidentiary lacuna identified at [29] of Aristocrat; that is to say, DBC has not led any evidence of what its reasonable licence fee might be. Without that critical evidence the case fails for want of evidence (as it did in Aristocrat), even if one accepts the legal principle for which Mr Jackman contends.
28 Recognising the difficulty which this generated for his argument, Mr Jackman eventually sought a short adjournment of a few days to fill this lacuna. This was opposed by iiNet. I refused the adjournment application. I did so for the following reasons.
29 First, there is no reason why DBC could not have led its evidence about what a reasonable licence fee would have been at the earlier hearing. Indeed, even on the argument then being propounded this evidence was essential.
30 Secondly, beyond the mere existence of the decision of Yates J on 2 December 2015, DBC did not advance any explanation as to why this matter was not raised the first time it was argued. I do not conclude that this involved a deliberate choice on the part of DBC's advisors; I infer that it was simply overlooked.
31 Thirdly, contrary to the submissions of DBC, I do not accept that the evidence which will be involved is likely to be straightforward. DBC's argument is that BitTorrent uploaders are effectively distributing the film worldwide and should pay the fee it would charge for such a licence. For this argument, it will be necessary to prove what DBC's worldwide licence fees are. There are likely to be, so it seems to me, several difficult issues in assessing this. For example, has DBC ever granted a non-exclusive distribution licence or are the licences it has historically granted exclusive and geographical? If, as may be possible, DBC has not granted licences on the same terms as the hypothetical BitTorrent licence notionally would be, how is the fair rate of that licence fee to be determined? I do not raise these matters to suggest that they have any particular answers, rather the point is to underscore how potentially complex the inquiry may turn out to be.
32 Fourthly, it is difficult to see that, once the lid is lifted on that Pandora's Box, I could legitimately prevent iiNet, as the respondent, from seeking itself to explore what a reasonable licence fee might be. Taken together, these third and fourth matters suggest a real risk of prolongation of the case and with it further delay in the case's resolution; prolongation because there may well now be a trial within a trial on the issue of how DBC licenses the Film; delay because the preparation involved will take time and inevitably push the hearing into the new Law Term.
33 Fifthly, it needs to be kept in mind that what is before the Court is a preliminary discovery application, not Ben-Hur. The interests of justice are not served in comparatively modest procedural litigation such as the instant case by permitting no stone to go unturned. The enterprises of the parties must be kept proportionate to what they are arguing about.
34 In those circumstances, I refused the adjournment. The effect of that refusal is that the situation which existed at the prior hearing (viz. that there was no evidence of what DBC's reasonable licence fee was) continues to obtain. Even if I had accepted, therefore, that DBC should now be permitted to raise this issue, it would have inevitably failed for the reason given by Black CJ and Jacobson J in Aristocrat at [29].
35 In all of those circumstances, I do not accept that I should permit re-ventilation of the licence fee issue.