conclusion of the performance " (at p. 13). I hope it is superfluous
to add that neither Buckley L.J., nor Kennedy L.J., was unaware
of the fact that the right to see a theatrical performance was not a
proprietary right in the nature of an easement. Indeed, Kennedy
LJ. said that the plaintiff's "interest," '' whether you call it an
easement or not, is an interest which I can now acquire in equity
by parol" (at p. 14). And he referred to an important passage in
Pollock on Torts, 9th ed. (1912), at p. 390, which I mention below.
Further, the dissenting judgment of Phillimore L.J. is of great
significance, for he is not unwilling to concede (at p. 18) that equity
would give specific performance of the contract to see the entertain-
ment. The main difficulty of Phillimore L.J. was that, assuming
that equity would intervene, the plaintiff in equity could not neces-
sarily be regarded as having already occupied the legal position
which springs into existence only after he obtains specific performance.
In other words, although the licence would be regarded in equity as
irrevocable, still, until a court of equity actually pronounced its
order, the existing legal relationship between the parties should be
deemed to continue. In support of this view Phillimore L.J.
adopted Pollock's suggestion in the passage mentioned above, that
the plaintiff might have obtained an injunction, and so have been
restored to the enjoyment of his licence, but that, in the meantime,
he should be deemed a trespasser. With respect, it is difficult to
appreciate the force of the difficulty which alone seemed to prevent
Phillimore LJ. from concurring. The plaintiff in Hurst's Case (1) did
not need to invoke the principle of Walsh v. Lonsdale (2), for the
assumption of Hurst's Case was that no estate or interest in land
was intended to be created by the contract. But equity's inter-
vention in order to prevent a party from exercising his legal rights
in breach of a contractual obligation is based on broader grounds
than the principle of Walsh v. Lonsdale (2). If, as Phillimore L.J.
was prepared to admit, a court of equity would have restrained
the revocation of Hurst's licence, it could hardly treat the defendant
as having improved his position at law solely because, in the nature
of things, Hurst was unable to approach a court of equity before
his forcible removal from the theatre. In other words, if a court