3492/02 VICTORIA ALEXANDER v. ROBYN CRAWFORD
JUDGMENT
1 HIS HONOUR: These reasons deal with the defendant's Notice of Motion of 22 October 2002 claiming that the plaintiff is guilty of contempt of Court.
2 The plaintiff commenced the proceedings by Summons on 8 July 2002 and claimed injunctions restraining the defendant: (1) from selling, disposing or encumbering any of ten paintings; (2) from dealing in any way with the paintings, (3) from approaching within 100 metres or entering 22 Hopetoun Avenue, Mosman, and (4) from assaulting, molesting, harassing or communicating in any manner whatsoever with the plaintiff. The plaintiff claimed a further injunction requiring the defendant to return paintings to 22 Hopetoun Avenue, Mosman. The paintings referred to in the Summons were these:
Painting Artist
Giraffe Brett Whitely
Arezzo Turn-off 1 Jeffrey Smart
The Long Shadow Jeffrey Smart
Study for Hide and Seek 3
(Robin calls this Peek A Boo) Jeffrey Smart
Out Strolling Clarice Beckett
Bundeena Charles Blackman
Monkey Brett Whitely
Leave Jason Benjemin
Free Spirit Leunig
Italian Scene Unknown artist
3 On the same day 8 July 2002 the plaintiff applied to the Court (Barrett J) and obtained an immediate injunction as in Claim 1. The Summons was returnable on 9 July when Campbell J made an injunction in similar terms until 15 July and adjourned the Summons to that day for argument about whether Claim 2 should be granted on an interlocutory basis. On 9 July 2002 the plaintiff filed in Court an Amended Summons claiming remedies under s.20 of the Property (Relationships) 1984; she claimed a number of items of property including five of the paintings mentioned in the Schedule. She made many other claims.
4 The proceedings came before Campbell J again on 15 July 2002 when the plaintiff was represented by Mr Wheelhouse of counsel and the defendant by Mr Condon. There were some negotiations between the legal representatives of the parties, and Campbell J made an order, by consent and without admissions, which expressed in elaborate terms the arrangements the parties had made. His Honour made this note of the orders:
I note the undertaking as to damages given by each of the plaintiff and defendant by their respective counsel.
B/Consent without admission I make orders and give directions in terms of a four page document which I have initialled and shall place with the papers.
I note the undertaking contained in a 1 page document which I shall initial and place with the papers.
I grant leave to counsel for the plaintiff to uplift and return to the Court by 4.00 pm tomorrow the four page document to which I have just referred.
5 The one-page document initialled by Campbell J was, omitting formal parts as follows:
Upon the defendant by his counsel giving the usual undertaking as to damages:
(1) Note the undertaking of the plaintiff to the Court that, until further Order of the Court, she, by herself, her servants or agents will not:
(a) sell, dispose, or encumber any painting presently located at the property known as 22 Hopetoun Avenue, Mosman, in the State of NSW ("the paintings")
(b) deal in any way with the paintings, other than housing the paintings at the said property, or such other place as the Court may order or otherwise agree in writing.
6 The four-page document set out an order restraining the defendant from dealing with the paintings referred to in the Amended Summons other than housing them at Level 14, 155 Macquarie Street, Sydney; and restraining him from entering the property known as 22 Hopetoun Avenue, Mosman, except by leave of the Court or the consent of the plaintiff in writing. The document also set out detailed procedural directions, giving a timetable for various steps to prepare the matter for hearing, leading to a Directions Hearing before the Registrar on 6 November 2002, and said:
(l) Note the agreement between the parties that each shall permit the other to inspect and value the assets of the other by arrangement between the respective party's solicitors, in [the] event [no] mutually convenient date is agreed each party shall be at liberty to approach the Court for further directions on 3 days' written notice.
7 The effect of the orders then was that the plaintiff gave the Court several undertakings and obtained injunctions restricting the defendant's dealing with the ten paintings mentioned in the Summons and preventing him from entering 22 Hopetoun Avenue, Mosman, the defendant gave an undertaking as to damages and the plaintiff gave an undertaking limiting what she would do with paintings at 22 Hopetoun Avenue, Mosman.
8 In his Notice of Motion the defendant seeks:
(1) A declaration that the plaintiff is guilty of Contempt of Court in that on or before 29 August 2002 the plaintiff, without justification, breached an undertaking given by her on 15 July 2002 to this Honourable Court (and goes on to set out the terms of her undertakings.)
(2) An order that the plaintiff be punished or otherwise dealt with for such contempt of court.
9 Claim 3 is for an order relating to furnishing information about the location of the paintings formerly housed at 22 Hopetoun Avenue, Mosman, but I was unable to address that application while the claim that there has been the contempt of the court was under consideration. It is not, in general, good practice to join claims for other remedies in a Notice of Motion seeking an order that a party be dealt with for contempt.
10 The defendant also filed a Statement of Charge in these terms:
1. On 15 July 2002 the plaintiff, through her Counsel gave an undertaking to this Honourable Court not to sell, dispose, encumber any painting then located at the property known as 22 Hopetoun Avenue, Mosman in any way other than to house the said paintings at those premises or such other place as the Court may order or otherwise was agreed in writing between the plaintiff and the defendant.
2. On or before 29 August 2002 the plaintiff caused or permitted the paintings previously housed at the premises 22 Hopetoun Avenue, Mosman with the exception of the paintings known as Beryl's Trip by Peter Kingston and the painting known as Barramundi Fishing by Robert Juniper to be removed from those premises without justification and without either order of this Honourable Court or agreement in writing with the defendant.
11 At the hearing before me on 3 and 4 March 2003 the plaintiff appeared by counsel and defended the charge of Contempt. The defendant bears the onus of proof of the charge and each element in it, and the standard of proof is proof beyond reasonable doubt.
12 I will refer to some propositions of the law relating to contempt which bear on the present application. In Witham v. Holloway (1995) 183 CLR 525 at 534 Brennan Deane Toohey and Gaudron JJ said:
The differences upon which the distinction between civil and contempt was based were, in significant respects, illusory. They certainly do not justify the allocation of different standards of proof for civil and criminal contempt. Rather, the illusory nature of those differences and the fact that the usual outcome of successful proceedings was punishment, no matter whether primarily for the vindication of judicial authority or primarily for the purpose of coercing obedience in the interest of the individual, made it clear as Deane J said in Hinch , (1987) 164 CLR 15 at 49 that all proceedings were contempt 'must realistically be seen as criminal in nature'. The consequence is that all charges of contempt must be proved beyond reasonable doubt.